Showing posts with label Sweet Readers. Show all posts
Showing posts with label Sweet Readers. Show all posts

Monday, July 4, 2011

Incense is Racist

Thanks to Sweet Reader Cass from Syracuse (also known as my sister), who laid this on me on my recent trip up north.  An Indian on a package of incense that smells like Earth, Ocean, Wind, and Fields - ka-ching!    


This hits all the trite notes - the squinting, faraway gaze, the protruding cheekbones and deep clefts around the mouth, the bear claw necklace and ceremonial headdress, the connection with nature, the pseudo-spirituality.  
Ocean seems fine, but what’s the different between Wind, Earth, and Fields?  It’s a miasma; wind blows over the fields, which grow from the earth.  Going by the pictures, you wonder if they didn’t call Fields "Flowers" because they were afraid of losing the male buying dollar.  You also have to ask yourself what clouds smell like.
This ended up at the dollar store because E. Davis International of Watertown, NY lacks strength of conviction.  Once they had the Indian drawn up they should’ve blasted the theme with both barrels - Earth, Tobacco, Buffalo Chips, and Casino.  
Too tough to chemically manufacture “Casino," you say?  Bullshit.  Your olfactory technicians can re-create the subtle shades between the ground, plants growing from the ground, and wind blowing through the plants growing from the ground, and you can’t give me a combination of alcohol breath, industrial cleanser, and soured dreams?  Have faith, E. Davis.


Some words on these posts.  


I keep using the word Indian.  And I will keep using it.  My mother is Mohawk so it’s more accurate to call me Mohawk than Indian, Native, Native American, or American Indian (like calling someone Swedish vs European).  But really, I use Indian because it’s the word my family has always used when our heritage comes up (when we’re not talking about corn, beans, and squash, counting our casino money, or communing with nature, we talk about how Indian we are).  I’m also very comfortable using the word “tribe”.  I know it’s used to classify animals, and a lot of younger Indians who prefer calling themselves Native like to use “Nation.”  I respect that, and I like the fact that tribe is being phase out by a new generation of teachers.  I also don’t plan on feeling guilty for saying or writing Mohawk Tribe.  
Further, when I say that a certain place or object is racist, the reason should be obvious.   If it’s not, we can play the old game of “How would you like it if I put a wooden statue of a Negro with exaggerated features dressed in full African tribal gear outside of my store?” or “How would you like a caricature of a Jew on a sport uniform with a really fun derogatory term for the team?” or “How would you like a Chinaman in a conical hat on an incense package featuring the scents of Green Tea, Sesame Oil, Kung Fu, and High Math Scores?”  

Okay, the last two were a stretch.  How about Small Penis?  Small Penis is a smell, right?  Chinese stereotypes suck.
I’m joking because it’s more fun than walking around pissed off all day, but these images are obnoxious and running into them all the time is tiresome.  When people learn I’m Indian, I always, always, ALWAYS get that look, the weighing one, the one Meatloaf gives Ed Norton in Fight Club when Norton tells Meatloaf he’s a member.




Their thoughts are all over that expression; “You don’t look Indian.”  It’s not hard to discern the meaning because many people over the years have had no compunction about actually expressing the thought out loud.  Next time it happens, I’ll just answer, “Funny, you don’t look like an asshole.”       
I’m not fed up with images like these because the ubiquity of headdresses makes them easier to defile (that’s what it’s called when religious artifacts are disrespected, right?); I know some tribes give out eagle feathers for especially heroic acts and that a full headdress of feathers means your life is filled with some serious shit for which you deserve respect, but I couldn’t tell you if they’re culturally significant for Mohawks.  These images and statues bother me because they make us invisible.  Indians aren't something that happened, we are here, now.  We live.  We go unrecognized because we don’t look the way we’re supposed to, but we’re here.
Our invisibility as a people in the present also makes our current problems - suicide, alcoholism, infant mortality rates, unemployment, sovereignty, etc, etc. - invisible.  When I pose with a pissed-off face next to a Cigar Store Indian, it’s partially a joke.  It’s partially venting some anger. 
It’s also a message - we’re still here.    

Saturday, April 16, 2011

There Are Folks Who Hear You

I joined a writer's group last month, my first one in a couple years.  It was all fun and games until I was handed homework.  Homework?  Yes, homework.  I'm a 38-year-old man with homework.

My assignment was to submit my writing for publication.

While I wondered how to do this, Joe Hill came to Books & Books the very next night.  He said he survived the ten years looking for a book deal by always having several stories submitted at once.  That way when he got rejections back, there was always hope that another story he had out there would be published.

Okay, I thought, I will submit one story each week for publication and see what happens.

Week one, I submitted a stub I mentioned a few weeks back to Jai-Alai Magazine.   I could have sent a longer nonfiction piece but my first love is made-up stuff.  I had this tiny piece of fiction which shouldn't have been anything, then I realized that with some polishing, I could use the stub to meet Jai-Alai's 700-word limit challenge.

The verdict is still out on that one.  With University of Wynwood caught up with the month long gorgeous madness that is O,Miami! I don't expect an answer anytime soon.

Week two, I submitted a story to Lip Service.  They picked me.  I'll be reading when they team up with Under the Sun at the Miracle Theater on Saturday, the 23rd.  Instead of rehearsing in Andrea Askowitz's living room, we'll be rehearsing in a recording studio.  How cool is that?

Two people also reached out to me this week.

One of them saw me at a Books & Books event produced by Moya, which I meant to write about but somehow never did.  I'd like to thank him for including me in an evening of music and monologues, and offer a picture to show I was there:

Proof that bigger isn't always better: this shirt.

The first woman was a stranger to me.  She saw my name on the upcoming Lip Service event and remembered me from An Evening of Good Things.  She wanted to let me know there are other halfbreeds in Miami, to wish me luck, and tell me I should keep plugging away with my writing.

The second woman I used to work with at Borders.  We weren't tremendously close, but she was one of the people who got it (and by "it" I mean how absurd life can be), the type of person you're glad to see on a schedule when you clock.  She told me she's been having a rough time lately, and my blog helped her get through it.

It's humbling and moving to know something you've written has touched someone else.  I'm tremendously excited about Lip Service / Under the Sun, but emails from these two women overshadowed that feeling.    

Make no mistake, I write for me.  But it's gratifying to know someone is listening.

Thursday, July 15, 2010

It's Automatic. It's Hydromatic.

It's my latest post for The Heat Lighting.


That picture of Hilldawg and I talking fiction at Books & Books has nothing to do with it, but I wanted to jazz this up a little.

Besides, Khaled Hosseini came into our Bal Harbour store yesterday and needs a consolation prize for us being so low on stock of his books.

Ten Sweet Readers checking out this photo ought to do it.

Monday, May 10, 2010

You Are All Immigrants Now Get Over It

As an Indian / Native / American Indian / Indigenous American / descendent of the folks who were here first, a few Sweet Readers and some friends have asked me how I feel about Arizona’s immigration law.

Asking me to speak for all Indians is senseless, but I'm happy to offer my opinion as a mixed-race American whose mother is Indian.

The law sucks.

Thanks for reading.

Friday, May 7, 2010

The Land of Twilight: Racist

In my love of vampire frolic I refused to believe that Forks, Washington, setting of Stephenie Meyer's teen vampire romance Twilight series, could perpetrate an act of Native Kitsch.

Then Sweet Reader Gabriel from Seattle sent me this image of a recent trip he took to Forks.

Say it ain’t so, Bella.

But I guess I shouldn’t have been surprised.